Features Media Studies 10/30/21 Features Media Studies 10/30/21 The Horror-Comedy: From Abbott and Costello to Young Frankenstein Read More Features Media Studies 10/30/21 Features Media Studies 10/30/21 Code-Switching explored through Boots Riley’s Horror-Comedy Sorry to Bother You (2018) Read More Features Media Studies 10/29/21 Features Media Studies 10/29/21 The Horror!: David Cronenberg’s Videodrome is Pornography of the Male Protagonist Read More Features Media Studies 10/28/21 Features Media Studies 10/28/21 Gaze Theory and the Female Experience: A Deep-dive Into the Looking Relations of Cléo from 5 to 7 and Black Girl Read More Features Media Studies 10/28/21 Features Media Studies 10/28/21 Officer Goode is Bad: Fear Street, Scream, and The Legacy of the Slasher in 2021 Read More
Features Media Studies 10/30/21 Features Media Studies 10/30/21 The Horror-Comedy: From Abbott and Costello to Young Frankenstein Read More
Features Media Studies 10/30/21 Features Media Studies 10/30/21 Code-Switching explored through Boots Riley’s Horror-Comedy Sorry to Bother You (2018) Read More
Features Media Studies 10/29/21 Features Media Studies 10/29/21 The Horror!: David Cronenberg’s Videodrome is Pornography of the Male Protagonist Read More
Features Media Studies 10/28/21 Features Media Studies 10/28/21 Gaze Theory and the Female Experience: A Deep-dive Into the Looking Relations of Cléo from 5 to 7 and Black Girl Read More
Features Media Studies 10/28/21 Features Media Studies 10/28/21 Officer Goode is Bad: Fear Street, Scream, and The Legacy of the Slasher in 2021 Read More